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Posts Tagged ‘Stella Riley’

(Brandon Brothers #2)

Genre: Historical Romance

Blurb (Goodreads):

Meet Adam Brandon … acutely intelligent and master-swordsman but gradually realising that he isn’t yet ready for the future he had previously planned.

Victim of a cruel deception, Camilla Edgerton-Foxe has a jaundiced view of the male sex and a tongue as sharp as her wits … but she also possesses an extraordinary talent.

A peculiar encounter offers Adam the kind of employment for which he is uniquely suited and which will exercise his mind as well as his muscles. The fly in the ointment is that Miss Edgerton-Foxe comes with it … as does Rainham, viscount and master of disguise, with a frequently misplaced sense of humour.
From Paris, via London, to the mists and mysteries of Romney Marsh, these three are sent on the trail of something darker and infinitely more dangerous than the kegs of brandy that come ashore at the dark of the moon. 

♥♥♥♥♥♥

Under a Dark Moon, the second in Stella Riley’s Brandon Brothers trilogy, is set in and around the atmospheric and starkly beautiful plains of Romney Marsh in Kent. As well as the smuggling of tax free luxury goods, something else far more sinister is going on, and there is a conspiracy of silence with the locals involved closing ranks. Very few people know who the leader of the smuggling ring is, but as the benefits are financially lucrative, no one involved is willing to jeopardise their ‘livelihood’ by speculating or questioning. This stretch of the Kent coast is the shortest distance between France and England making Romney Marsh with its swamplands and heavy mists perfect for the activity. The local churches mentioned in the story really exist and were visited in the course of the author’s extensive and immaculate research. While innocent and unobtrusive by day, they take on sinister undertones by night, and play their part in the concealment of the illegal smuggled goods once landed. The taverns and pubs mentioned throughout the story, are also kosher. For instance, The City of London Tavern, Dymchurch, is actually a sixteenth century tavern still operating today. 

Ms.Riley lives fairly close by and I love how she often uses this beautiful, intriguing and mysterious part of the country in some of her books. I’ve actually been so caught up in previous stories, such as The Player, that I’ve visited the area she’s described to experience it for myself. So well does she weave her magic that her fictional characters become living, breathing, people and some, especially Adrian, the MC of the above mentioned story, has taken up residence in my heart as one of my ‘book boyfriends’. This is research and writing at its best and I’m never disappointed as every single book and character she writes about is different to the last. I appreciate accurate historical detail, and when an author goes to this much trouble to achieve authenticity for her readers, it’s never lost on me. 

Adam Brandon is a silver-gilt haired, dashing, fearless, sword carrying dreamboat, and not only is he extremely easy on the eye, but a thoroughly decent man to boot. He’s no pushover, either, as his soon-to-be-boss, Goddard discovers; he even goes so far as to earmark Adam as a worthy counterpart for his feisty niece, Camilla, who is also an operative in M Division. I can remember every single one of this author’s extensive list of male characters from all of her books in three dimensional clarity, so memorable are they. Adam is a worthy addition to the list and I loved everything about him from his silver-gilt hair to his air of quiet authority, and no nonsense approach to life.

Adam has been honing his exceptional skill with the sword amongst the very best in Paris, with the ultimate goal of setting up his own Fencing academy aiming to pass on his skills in serious sword play, as well as the gentleman’s sport of fencing. However, he’s still young and with enough adrenaline pumping through his blood that he’s happy to put his ambitions on hold when he is offered an exciting proposition from an unexpected source. Goddard (aka the Earl of Alveston), the leader of a little known government unit known as M Division, has been quietly investigating and observing Adam for some considerable time. As well as receiving confirmation of Adam’s integrity from an old friend, he has also seen for himself that, whilst Adam is a formidable swordsman, he is not an indiscriminate killer, and has all the qualities Goddard is looking for as an addition to his small multi-talented team. 

Adam’s first task after completing his training in the field – which encompasses such nefarious tasks as lock picking – is to escort Camilla to her family’s country estate, Dragon Hall, in west Kent. The fact that this task also coincides with his first assignment is by the by because initially Camilla makes it almost impossible for the two of them to co-exist happily, even as she guesses they are to be on the same team. They lock horns from their first meeting when she tries unsuccessfully to get the better of him. Having almost married a man she believed herself to be in love with a year previously, only to discover by accident, in a humiliatingly overheard gossipy conversation, that he was not the man she thought him to be, Camilla has lost trust in all men and sworn off them for good. So unfortunately for Adam, being the first attractive young man she has encountered in the past year, he was always going to have a rough time. 

To me, Camilla initially comes over as an embittered and uncompromising young woman which, of course, is understandable given her experience with her ex fiancé. However, I must admit to jumping very much to Adam’s defence – such is Stella Riley’s ability to make me love her male characters. Soon, however, Camilla’s indomitable spirit melted my animosity towards her and, as the two spend more time together as working colleagues, I could see that this intelligent, feisty young woman was the perfect partner for the gorgeous Adam, in more ways than one. Plus, of course, she soon begins to really see Adam without her prejudices getting in the way, so I can forgive her initial rancour at his habit of “issuing orders and expecting everyone – including her – to jump”…even if he did adopt this attitude because of her obvious (at the time) aversion to him. Adam himself first begins to see the softer side of Camilla after she arrives at her home and is greeted by the staff who quite obviously love her; her smile dazzling him “in its warmth” and…”although he knew it wasn’t for him, Adam found himself smiling stupidly back”… this was the moment Adam began to lose his heart even if he wasn’t aware of it at the time.

After getting off to such a bad start, Adam sets out to deliberately charm Camilla although he also manages to keep wrong footing her with his mischievous repartee. Still, bit by bit, he begins to break down her defences – who wouldn’t be charmed by Adam? The two, together with Rainham, a fabulous secondary character who could easily have had his own book, and Harry Finch, Adam’s valet/right-hand man, are soon working together as a team. Another plus is that we get to see some characters from previous books, not least Sebastian Audley (The Wicked Cousin), one of the author’s most memorable and much loved characters. By now Sebastian has inherited the title of Viscount Wingham from his recently deceased father, and with his wife, Cassandra, and their baby son, live at Audley Court, Rye. We see quite a lot of him as he aids Adam, Camilla, and Rainham in their undercover investigations. I love that the author does this; I’m never content to say goodbye to her characters so when they become involved as secondary characters in later stories, I’m happy to be back in her magical Georgian world with them.

With the initial mutual dislike soon dissipating, we don’t have long to wait before Adam and Camilla – both equally intelligent – recognise each other’s professional acumen and skills, which in turn leads to respect, liking, trust, and a delicious slow burn romance. Adam is one of those rare breeds, a one woman man, and when he finds her (as he has) he’s chivalrous to a point which completely fits the picture of him I have in my imagination. There is no gratuitous sex on the page but the sexual tension between them positively simmers as the story progresses and, in my opinion, is far sexier than pages of descriptive text. Plus, Adam’s occasional, but perfectly timed risqué comments to Camilla, are both amusing and sexy in themselves and add another layer to the overall romantic feel of the story. Camilla’s female staff also fall under Adam’s charismatic spell, and I love how he’s unaware of it, a fact which only makes him all the more endearing. 

Alex Wyndham is Stella Riley’s chosen narrator and has, to date, recorded almost all of her backlist (with more of her stunning R&C series in the pipeline I believe), and all of her more recently published work. He expertly portrays her well drawn characters; feisty, out of the ordinary, no nonsense women, and her men…oh her men…long hair, frock coats, and swords, bringing them to life in such a way that they are truly memorable. 

Alex Wyndham’s smooth, cultured voice is perfectly suited to this genre, but having said that, he is also, very convincingly, able to subtly alter his own voice and, taking it down a notch or two, communicates the rougher, gravelly tones of the working class man. In Under a Dark Moon he has a fair few of these men to portray – of all ages. On occasions some of these men are involved in multi-character conversations or arguments with the more cultured Rainham, Sebastian and Adam. In one such scene, he impressively juggles five or more different male characters whilst keeping them all distinctly recognisable using only tone and local dialect; I would have known some of these characters even without the dialogue tags. Not only is this quite a feat in itself, but at the same time he also successfully implies the background menace prevalent to the whole conversation/interrogation. This, coupled with the author’s ever present wit and humour is delivered smoothly as he effortlessly switches between characters with his usual panache, in the process, proving what a versatile and talented actor can add to an already outstanding story.

Under a Dark Moon (Brandon Brothers #2) is a stunning historical romance with the added bonus of a plausible and clever mystery which has been brought to life by Alex Wyndham. Once more, author and narrator have raised the bar to bring us something out of the ordinary, plus of course, more fabulous characters for us to love. With only Leo Brandon’s story to add to this trio of books, I’m wondering where Stella Riley’s clever mind will take her next, because, having very skilfully linked both  her Roundheads and Cavaliers and Rockliffe series to the Brandon Brothers, I’m looking forward to what she has up her sleeve in the future. 

Highly Recommended.

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(Rockliffe #6.1)

Genre: Historical Romance

Blurb (Goodreads);

Celebrate among old friends … and perhaps a gate-crasher or two. There will be wassailers and kissing-boughs; music, dancing and romance; laughter and some tears. Above all, expect the unexpected because at Christmas anything can happen.

So accept your invitation for what promises to be the most talked-of house-party of 1778 … and is also a last Huzzah to the Rockliffe series.

♥♥♥♥♥♥

I loved Stella Riley’s superb Rockliffe series and was saddened when it came to an end. To say I was overjoyed when she announced the release of this novella is an understatement, and what a festive treat it was.

It was an absolute joy to have so many of my beloved characters all gathered together to celebrate Christmas. Rockliffe is his usual unflappable self, and I was also delighted to see that Sebastian is still the ‘master of mischief’.

If I were to choose one character that really stands out, it’s Julian. He is such a wonderful father to Tom, Rob and Ellie – so kind, loving and patient. The children obviously adore him and I challenge anyone not to have tears in their eyes when Tom tells his story.

There are some unwelcome guests in the form of Adrian’s mother, the Dowager Countess of Sarre, and Caroline’s mother, Mrs Hayward. These two could definitely give the Macbeth witches a run for their money and so I love how Rockliffe subjects the Dowager Countess to one of his snubs.

There is romance in the air for four of the guests and some special Christmas magic that is sure to warm your heart.

This is an enchanting story full of warmth, charm, fun, laughter and romance. It’s the perfect close to this wonderful series. Highly recommended.


Previously posted on Goodreads

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(Brandon Brothers #2)

Genre: Historical Romance

Blurb (Goodreads):

Meet Adam Brandon … acutely intelligent and master-swordsman but gradually realising that he isn’t yet ready for the future he had previously planned.

Victim of a cruel deception, Camilla Edgerton-Foxe has a jaundiced view of the male sex and a tongue as sharp as her wits … but she also possesses an extraordinary talent.

A peculiar encounter offers Adam the kind of employment for which he is uniquely suited and which will exercise his mind as well as his muscles. The fly in the ointment is that Miss Edgerton-Foxe comes with it … as does Rainham, viscount and master of disguise, with a frequently misplaced sense of humour.
From Paris, via London, to the mists and mysteries of Romney Marsh, these three are sent on the trail of something darker and infinitely more dangerous than the kegs of brandy that come ashore at the dark of the moon. 

♥♥♥♥♥♥

Under a Dark Moon is the second book in Ms. Riley’s Brandon Brothers trilogy and, as with all her books, it’s eminently readable, impeccably researched and intricately plotted, with loveable characters, witty dialogue, and a lovely romance.

I invariably fall in love with all Ms. Riley’s heroes. Each one is gorgeous and unique in their own way, and Adam Brandon is no exception. With his silver-gilt hair, striking looks, and proficiency with a sword, he certainly cuts a dashing figure. In addition to being honourable, honest, dependable and discreet, he also has a quick mind, strength of character and integrity. It is these very qualities that convince Goddard/ Earl of Alveston, the head of M Section, a secretive Government department, that Adam would make an excellent agent. Adam’s ultimate ambition is to establish a Salle d’Armes offering both swordplay and fencing, but he doesn’t feel the time is right. So the intermittent nature of the work suits Adam perfectly and he accepts the offer of a job, much to his older brother Max’s apprehension.

His first mission takes him to Romney Marsh in Kent, where he and a fellow agent are to investigate the increased smuggling in the area, and a possible espionage ring operating under the cover of the smuggling. The only fly in the ointment is Camilla Edgerton-Foxe, the Earl of Alveston’s niece, whom Adam is to accompany to Dragon Hall, her home on Romney Marsh. If their first meeting is anything to go by, he doesn’t relish the task!

I think Camilla is destined to become one of my favourite Stella Riley heroines. I admire her intelligence, courage, determination, and, as Adam later discovers, ‘Camilla’s spine had as much steel in it as his sword … and that made her unique’. Her extraordinary memory for details only ever caused her trouble during her younger days, but it has proved invaluable to M Section since her uncle recruited her. She was once engaged to be married but, after discovering her finance’s deceit, she cancelled the wedding. The experience has left her with a deep distrust of men, and she has resolved never to risk her heart again. There is one point in the story where Camilla could have made an unwise decision but she is intelligent enough to think it through first before taking action. I also love how she sends the obnoxious Peter Blane away with a flea in his ear.

Ms. Riley excels in writing a slow-building romance between her hero and heroine, letting the reader experience every nuance of their evolving relationship. Initially, Camilla is hostile towards Adam considering him rude and overbearing and, for a man who doesn’t usually have a problem with women, he is at a loss to understand why she has taken such a dislike to him. I enjoyed the back and forth, as each of them tries to get the upper hand, and Adam’s cool politeness is more than a match for Camilla’s cutting remarks. As Camilla gets to know Adam better, she realises that it was wrong of her to make him suffer because of another man’s actions and apologises to him. This paves the way for friendship, attraction, and ultimately love to blossom.

Adam treats Camilla as an equal and listens to her opinions, something no man has ever done before. He admires her intelligence and encourages the fact that she is a strong and capable woman, having two such woman in his life already, his mother and his sister. Camilla appreciates that Adam is unlike any other man she has ever known before. He’s clever, kind, honourable and funny, and accepts her just the way she is. The fact that he has a ‘devastating smile and a spectacular body‘ doesn’t hurt either. I like the vulnerability Adam shows when he believes that he doesn’t stand a chance with Camilla, but who could fail to love a man who would willingly give his own life for you.

I love Leo’s wedding gift to Camilla, and Adam’s special way of thanking her for agreeing to be his wife is deliciously romantic.

It’s probably due to my advancing years but, when it comes to love scenes, I’m finding that less is more. In the wedding night scene, I felt Ms. Riley weaves a lovely romantic, playful and sensual atmosphere without the need to be overtly explicit. Sometimes certain things are best left to the imagination.

Ms. Riley’s secondary characters always add depth to her stories and I especially loved Viscount Rainham, a fellow M Section agent, who to quote Camilla:

”You know, don’t you, that even though you’re the most provoking person I know, I’m rather fond of you?”

That makes two of us, Camilla!

and Harry Finch who may be an atrocious valet where Adam is concerned, but the ideal man to cover one’s back in a tight situation.

A more serious Sebastian Audley, now Viscount Wingham, plays an important role in the investigation and it was lovely to see Cassie again too. Ms. Riley also brings together many other beloved characters from her Rockliffe series, and Brandon family members, to celebrate Adam and Camilla’s nuptials. It was like catching up with old friends you haven’t seen for a long time.

Ms. Riley always seems to include lovely moments of humour in her stories and there is a wonderful scene where they are threatening one of the smugglers with a specific instrument of torture. Who would have thought that a simple kitchen implement would have struck fear into a burley smuggler’s heart.

Once again, Ms. Riley’s in-depth research is apparent in her descriptions of the Romney Marsh landscape and the fascinating facts relating to smuggling. There is plenty of action, danger and suspense with Romney Marsh providing a suitably atmospheric backdrop for all manner of dark deeds – smuggling, murder, espionage and kidnapping. Both Camilla’s ability to memorise things and Adam’s prowess with a sword play an important role, and the revelation at the end was certainly a surprise to me.

If you are looking for a well-written, engrossing story with memorable characters and a captivating romance, then I can highly recommend UNDER A DARK MOON.

Originally posted on Goodreads

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(Brandon Brothers #1)

Genre: Historical Romance

Blurb (Goodreads)

Someone is misusing Max Brandon’s name – resulting in bills for services he never ordered and goods he did not buy. For reasons he can’t begin to guess, he has become the victim of some unknown person’s campaign of persecution.

When the games move closer to home, almost forcing him to fight a duel … more particularly, when they draw in Frances Pendleton, a lady he never expected to see again … Max vows to catch the man behind them, no matter what the cost.

The result is a haphazard chase involving ruined abbeys, a hunt for hermits, a grotesque portrait … and a love story which, but for this odd trick of fate, might never have been given a second chance.

♥♥♥♥♥♥

A TRICK of FATE is the first book in Ms. Riley’s much anticipated Brandon Brothers series. With its intriguing storyline, heart-warming romance, endearing characters and sparkling dialogue, it is an absolute delight from start to finish.

I have fallen in love with every one of Ms. Riley’s heroes and Max is no exception. In Cadenza, he was so loving and protective, but also understanding towards his sister, Arabella, and he showed kindness in the way he helped Julian. In A TRICK OF FATE, he is honourable, hardworking, loyal and totally dedicated to his family too. I love how his serious side is offset by a deliciously wicked sense of humour and a real appreciation of the frivolous.

The flashbacks showing how he and Frances met and fell in love five years earlier at a house party are utterly charming and their dialogue sparkles like champagne. They are so in tune with each other that I never doubted they were truly meant to be together, which made what transpired to keep them apart all the more heart-breaking.

I especially enjoyed the road trip element of the story because their close proximity creates a palpable sexual tension between Max and Frances, while providing the opportunity for them to confront the past and rekindle their love for each other. I enjoyed the descriptions of the Scottish landscape and the interesting historical details, which are blended into this part of the story without it sounding like a travelogue.

I LOVE the humour in this book – from the ridiculous hermit repartee, to the wee, timorous beasties tale, to Max and Leo’s witty banter, to Max’s naughty innuendos. The mystery concerning the illusive ‘Mr Grey’ kept the story moving and I never once suspected his true identity or his motives. Cleverly done, Ms. Riley.

It was lovely catching up with characters from Cadenza – Julian, Arabella, their three adopted children, and Lizzie and Ralph, who all make an appearance. Ralph’s vulnerability when it comes to his wife, and learning that he was once kind to Frances when she needed it, most certainly confirmed his redemption in my eyes.

As always, the main characters are supported by a wonderful cast of secondary ones including:

• Max’s younger brothers – Leo, a talented artist, and Adam, who is mad about swords and swordsmanship

• Lady Louisa, Max’s mother, who loves her family and only wants their happiness.

• Duncan Balfour, Max’s red-headed, Scottish secretary, who is more of a friend to him

• Lady Pendleton, Frances’ mother, a selfish old battle-axe, but she no match for a wrathful Max

I love how Ms. Riley incorporates family links to her Roundheads and Cavaliers series when Max tells Frances about his great-great-grandparents, Gabriel and Venetia Brandon, whose story is told in Garland of Straw. The ‘exceptionally talented goldsmith on Bond Street is sure to be a descendant of Toby Maxwell, a character from The Black Madonna.

What a wonderful start to a new series and I eagerly await Leo and Adam’s stories. Highly recommended.

Originally posted on Goodreads

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(Roundheads and Cavaliers #4)

Genre: Historical Fiction

Cover Blurb (Amazon)

Still tied to his desk in the Intelligence Office, Colonel Eden Maxwell has become increasingly disenchanted with both Oliver Cromwell and his own daily existence; and with the advent of new Royalist conspiracies, he despairs of ever getting away. Then a brick hurled through the window of a small workshop sets in motion a new and unexpected chain of events. After all, who would want to hurt Lydia Neville – a young widow, giving work and self-respect to maimed war veterans considered unemployable elsewhere? But when the assaults in Duck Lane escalate, threatening the life and remaining limbs of some of Eden’s former troopers, finding the culprit becomes a personal crusade.

At their first meeting, Lydia finds Colonel Maxwell annoying; by their second, having discovered that he had arrested and questioned her brother in connection with the Ship Tavern Plot, she mistrusts his motives. On the other hand, it swiftly becomes plain that she needs his help … and has difficulty resisting his smile.

Solving the increasingly hazardous mystery surrounding Lydia is not Eden’s only task. Between plots to assassinate the Lord Protector and a rising in Scotland, he must also mend the fences within his own family and get to know his son. Life suddenly goes from mind-numbing boredom to frenetic complexity.

With reckless Cavaliers lurking around every corner and a government still struggling to find its way, Lords of Misrule is set against a time of national discontent and general failure. But readers of the previous books in the series can look forward to catching up with old friends as well as meeting new ones … while, against all the odds, Eden and Lydia find danger and reward in equal measure.

♥♥♥♥♥♥

Set during the years 1653 to 1655, when Oliver Cromwell ruled as Lord Protector, Lords of Misrule is the fourth book in Stella Riley’s excellent Roundheads and Cavaliers series. As with the previous books, it is an absorbing and intelligently written story which effortlessly blends history, politics, mystery, danger and, of course, romance.

Eden Maxwell has been an important secondary character since he first appeared in The Black Madonna, when his wife’s betrayal had such a devastating affect on him. Garland 0f Straw saw Eden serving as a major in Cromwell’s New Model Army, but still unable to put the past behind him and frequently finding solace in a bottle. It took some straight talking from his commanding officer to make him realise that he risked throwing his military career down the drain. In The King’s Falcon Eden, now a colonel, had finally come to terms with what happened and events leave him free to find the happiness he truly deserves.

What I love about Eden is that he is such a flawed and complex character. Despite being a battle-hardened soldier, he is a man of honour and integrity, as his actions in The King’s Falcon, and his disenchantment with Cromwell and what he stands for, reveal. The pain and anger he felt discovering his wife’s infidelity was understandable, made all the more heart-breaking because it was the same day his beloved father was buried. The hurt and disillusionment ran so deep that he vowed never to marry again. It was sad to see him distancing himself from his family and especially his two children. He had become a virtual stranger to his son, Jude, and resented his daughter, Viola, because he knows she isn’t his child. It was heartwarming to watch Eden making a positive effort to break down the barriers he had built between himself and his children. Jude proves to be young man with a wise head on his shoulders and offers his father some sound advice when it comes to building bridges with Viola.

Lydia is independent, capable and stubborn, and I admire her refusal to be hounded into selling her charitable businesses by her late husband’s family. Her kindness and compassion is evident in her desire to provide gainful employment to war-widows and crippled ex-soldiers, regardless of which side they fought on. In doing so, she hopes to restore their self respect, and it’s clear that the men and women she helps adore her and would defend her without hesitation.

”If you ever need a rag-tag army to stand at your back, you can count on us.  All of us.”

It was refreshing to see Lydia’s late husband shown in a positive light, rather than an odious old lecher as so often happens. He was kind and always had her best interests at heart. She obviously loves her brother, Aubrey, and worries about him, although, at times, he seems totally irresponsible in his actions.

The romance was deliciously slow-building and watching Eden and Lydia gradually see each other in a new light and begin to fall in love was very satisfying.

As always, with Ms. Riley, the relationships between her male characters are so brilliantly written, especially the brotherly exchanges between Eden and Toby, and the close bond of friendship between Eden and Gabriel.

Ms. Riley’s books are so meticulously researched and watching the historical events unfold through the eyes of her characters brought the history to life, and made me care about the fate of these characters.

The mystery of who is threatening Lydia, and why, is well-plotted with plenty of action and danger, and the villain’s identity certainly came as a surprise.

There are some delightful moments of humour throughout the story and one of my particular favourites is the scene where Lydia pretends to be absent-minded when soldiers arrive to question her about her brother’s whereabouts. It is so funny.

Among the secondary characters are a number of familiar favourites from the previous books including Gabriel and Venetia Brandon, Phoebe Clifford, Venetia’s youngest sister, Sir Nicholas Austin and a cameo appearance from Ashley Peverell. I felt a lot of sympathy for Deborah but she was pragmatic enough to accept that there was no future for her with Eden. Toby was definitely a scene stealer and I loved the banter between him and Eden. A real charmer and ladies man on the surface, but not someone to be underestimated, especially in a life-threatening situation. Like so many other readers, I do hope that Toby gets his own book in the not too distant future.

I strongly recommend that you read the previous books in this series to get a full appreciation of Eden’s character, and his connection to the other recurring characters who appear in this book.

Another superbly written story from Stella Riley. I can highly recommend all the books in this excellent series.

Originally posted on Goodreads

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(Roundheads and Cavaliers #3)

Genre: Historical Fiction

Cover Blurb (Amazon):

A tale of war and witchcraft … plots and playhouses … love and loyalty.

Charles the Second’s attempt to reclaim his throne ends in a crushing defeat at Worcester. With only the clothes on their backs, Ashley Peverell and Francis Langley flee to Paris where Ashley, known to some as the Falcon, resumes his secret work for the King.

Beautiful and street-wise, Athenais de Galzain has risen from the slums of Paris to become the city’s leading actress … but along with success comes the attention of a powerful nobleman, accustomed to taking what he wants.

Ashley and Athenais are drawn together with the force of two stars colliding.
Ashley, lacking money and often forced to risk his life, has two priorities; to guard the King from a dastardly plot hatched in London … and to protect Athenais from the man who would destroy her. Both will test him to the limits.

The King’s Falcon follows the Cavaliers’ last crusade and poverty-stricken exile whilst taking us behind the scenes in the playhouse. There is danger, intrigue, romance … and more than one glimpse into darkness.

♥♥♥♥♥♥

The King’s Falcon, the third book in the excellent Roundheads and Cavaliers series, is everything I have come expect from Ms. Riley – a superbly written and totally absorbing story, which perfectly blends history, politics, intrigue, drama and romance.

For me, one of Ms. Riley’s greatest strengths lies in her ability to create multi-faceted and realistic characters. In The King’s Falcon, we have not just one but two male protagonists, and my response to Pauline’s question…

“I’ve rarely seen one man as pretty as that – let alone a pair.  So which took your fancy?”

would be that they are both sigh-worthy in their own way.

The outrageously good-looking Royalist agent, Ashley Peverell, made a brief appearance in Garland of Straw, but now we discover that behind his seemingly carefree nature and amiability lies a very different man. Most know him as a colonel in the Royalist army, but only a select few know him as the Falcon. His keen mind and ruthlessness have served him well in his covert work for the king, work that is often ‘neither honourable or pretty’ but necessary. Although Ashley doesn’t see himself as a man of honour and integrity, it’s clearly shown in his determination to protect Athenais, his unswerving loyalty to his friends, and his willingness to risk his life for the king.

When we were first introduced to Francis Langley in The Black Madonna, he was a charming, frivolous young man who preferred writing poetry to fighting. However, as a captain in the Royalist army (Garland of Straw), his experiences of war have given him maturity and a self-awareness, and his willingness to put his life on the line in the service of the king speaks volumes for his character. I have always had a soft spot for Francis and it was lovely to see him fulfil his true potential as a writer. I also loved his sharp, witty responses when talking to his sister, Celia, particularly as she’s not one of my favourite characters. Anyone who has read The Black Madonna will understand why.

The illegitimate daughter of a retired mercenary and a laundress, Athenais de Galzain was born Agnes Stott in a dingy back-street of Paris. It had taken her six long years of struggle, hard work, and a change of name, to forge a successful career in Théâtre du Marais, rising to become one of its leading actresses. I admire how she achieved her success not just because she was beautiful, but through sheer determination and natural talent. Unfortunately, she has caught the eye of the Marquis d’Auxerre, who is determined to make her his mistress. Athenais is pragmatic enough to know that, one day, such a step would be necessary to protect her career, but there is something about the Marquis that she finds unsettling.

I found Pauline Fleury such an interesting character. She had once enjoyed a dazzling acting career herself, until an accident left her with a scarred left cheek and a slight limp and she is now Athenais’ dresser and mentor. Beneath the prickly surface and forthrightness, she is clever and astute, and she is such a loyal, protective friend to Athenais. I like how supportive Pauline is of her protégé, never showing any jealousy of the younger woman’s success.

The two romances run concurrently but develop in very different ways. Ashley and Athenais have an instant attraction but, as an ex-soldier with little money and no prospects, who is frequently called upon to risk his life, Ashley knows he has nothing to offer Athenais and is determined to keep his distance while ensuring that Athenais is safe from the Marquis d’Auxerre. It’s not long before their all-consuming passion can no longer be denied, but dramatic events will test the strength of their relationship. Ms. Riley deals with a very difficult subject and handles it well. I could feel the deep emotional turmoil Athenais goes through and I love how Ashley allows her time to heal and shows such empathy, encouragement and patience.

I enjoyed seeing the slow building romance between Francis and Pauline. Francis is surprised to find that he has come to enjoy Pauline’s company and is forced to admit that the reason he had written his play was because he found her fascinating. He saw beyond her scarred face and limp to the attractive, intelligent and competent woman beneath. He even liked her sharp tongue. Although Pauline has feelings for Francis, she knows that nothing can come of it

Good-looking titled gentlemen didn’t belong with scarred, one-time actresses past their first blush.

Francis certainly has his work cut when it comes to persuading Pauline to marry him because she’s the most stubborn woman he has ever met. Slowly, but surely, he breaks down her defences, and I love how he tells her that her head, heart and spirit far outweigh her imperfections.

Eden Maxwell has been an important secondary character since he first appeared in The Black Madonna, when his wife’s betrayal had such a devastating affect on him. It was satisfying to see that he has finally come to terms with what happened, and events in The King’s Falcon leave him free to find the happiness he deserves in Lords of Misrule. He is also instrumental in saving the lives of two people.

Among the other secondary characters are…

– Sir Nicholas Austin, a Royalist captain, who is taken in by Eden after he loses an arm at the Battle of Worcester.

– Deborah Hart who is saved by Eden when she is falsely accused of being a witch, and becomes his housekeeper and mistress.

– Celia Maxwell, Francis’s sister, who elicits Francis’s help in obtaining a divorce from Eden.

– Jem Barker, Ashley’s loyal servant and a former highwayman.

– The evil Marquis d’Auxerre who, I’m pleased to say, meets a suitable end.

Like the first two books in this series, The King’s Falcon is rich in period detail, whether it be the bloody Battle of Worcester, the unjust witches trials, the behind the scenes workings of the Théâtre du Marais, the Fronde in Paris, or the plight of the exiled Royalists in Paris, Ms. Riley seamlessly blends fact and fiction, creating a strong sense of time and place. Charles II, the Duke of Buckingham, and Cyrano de Bergerac are among the real people in the story, but the fictional characters are so well drawn that it was difficult to distinguish the real from the fictional. The various plot twists and turns are skilfully handled culminating in an exciting conclusion.

Another superb book from Stella Riley. Highly recommended.

Originally posted on Goodreads

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(Roundheads and Cavaliers #2)

Genre: Historical Fiction

Cover Blurb (Amazon):

The marriage of a well-bred Royalist lady and an illegitimate Roundhead Colonel is less a match made in heaven than a union doomed to hell. Unfortunately, Sir Robert Brandon’s last will and testament leaves Venetia Clifford and Gabriel Brandon with little choice in the matter – deeply though they both resent it.

Their tempestuous relationship is reflected in the events buffeting the nation as England slides into a second Civil War. While Gabriel continues to serve in the New Model Army, Venetia engages in clandestine activities on behalf of the King; and both their lives are complicated still further when Gabriel’s half-brother – to whom Venetia was formerly betrothed – returns from exile.

While the Army and Parliament argue over the fate of the King, Gabriel realises that he has a dangerous enemy. And as events gather pace, bringing the King to trial, the tangled web of danger and deceit surrounding both Gabriel and Venetia slowly tightens its grip.

♥♥♥♥♥♥

Set against the turbulent events leading up to the trial and execution of Charles I (1648 to 1649), Garland of Straw is the second book in Stella Riley’s Roundheads and Cavaliers series. Once again, I was treated to an intelligently written and engrossing story which skillfully combines history, politics, intrigue, suspense, tragedy, and a stormy romance between a staunch Royalist lady and a Roundhead colonel.

I have loved everyone of Ms. Riley’s heroes, but Gabriel might just be my favourite. The illegitimate son of Sir Robert Brandon and raised by foster parents, I admire the way he has never let his illegitimacy define who he is. He has forged a career for himself as a professional soldier, fighting in various European wars before returning to England to join Cromwell’s New Model Army. He is an honourable and principled man and, although initially sympathetic towards the Parliamentary cause, witnessing the atrocities committed at Basing House has left him disillusioned. As events unfold, he is faced with some difficult, life-changing choices.

Venetia was a secondary character in The Black Madonna. As one of the Queen’s entourage, she enjoyed a carefree life at court. Engaged to Ellis Brandon, the man she loves, everything seemed perfect, but the war changed that. It claimed the lives of both her father and her eldest brother, while her other brother, Harry, and Ellis had gone into into exile. With no-one else in the family capable of running Ford Edge Manor, and keeping a roof over their heads, responsibility has fallen firmly on Venetia’s shoulders. I could understand how circumstances had led to Venetia becoming so hard and bitter, and how they coloured her initial attitude towards Gabriel.

Often I have read books where the hero and heroine dislike each other, but there is a strong, underlying attraction. This is certainly not the case with Gabriel and Venetia. From their first meeting at the reading of the will, their mutual animosity fairly drips off the page. However unpalatable, Gabriel and Venetia are forced to marry, and it promises to be a battle royal considering Venetia regards Gabriel as ‘a misbegotten bumpkin in an orange sash’ who is rude, callous and arrogant, while Gabriel sees Venetia as beautiful, but with ‘the tongue of a shrew, an expression that gives you frostbite and no manners worth mentioning.

Ms. Riley develops their relationship very slowly, which seemed realistic given the circumstances. The major change in their relationship comes when Venetia tends Gabriel after he is set upon and badly injured. They talk for the first time without the usual hostility and sarcasm and it was very satisfying to see respect, liking, trust and ultimately love steadily growing between them, even though there was a bump in the road, in the form of Ellis Brandon; but Venetia soon comes to see that Gabriel is ten times the man Ellis will ever be.

This was a very complex period in British history and I admire the way in which Ms. Riley seamlessly blends real-life events and personages with the lives of her fictional characters. The resulting realism it brings to the story made me truly care about the fate of these characters.

Bravo to Ms. Riley for keeping me clueless regarding the identity of the person responsible for the attempts on Gabriel’s life, until just before the harrowing climax.

There is a fascinating array of secondary characters, some familiar favourites and others new, including…

Walter (Wat) Larkin – Gabriel’s faithful servant and companion for 15 years, with ‘the nose of a bloodhound and the instincts of a ferret? 

Eden Maxwell (The Black Madonna) – Gabriel’s Major, who is still trying to drown his personal problems in a bottle.

Ellis Brandon, Gabriel’s half brother and Venetia’s fiancé, who is selfish, arrogant and a liar when it serves his interests.

Phoebe Clifford – Venetia’s youngest sister, ever the optimist, who immediately befriends Gabriel much to her (Venetia’s) displeasure.

Jack Morrell – Gabriel’s foster brother who is more like a real brother to him

Francis Langley (The Black Madonna) – an elegant Royalist, who would prefer writing poetry to fighting.

Handsome Captain Ashley Peverell, alias the Falcon, a Royalist spy.

Having read and loved A Splendid Defiance, it was wonderful to catch up with Captain Justin Ambrose (now a Colonel), his wife Abigail, and her younger brother, Samuel (Sam) Radford. Justine strikes up an unlikely friendship with Gabriel, while there is a secondary romance between Sam and Jack Morrell’s niece, Bryony.

Ms. Riley still manages to incorporate some much welcome humour into the story. For instance, I love the hilarious scene where Venetia is smuggling Frances Langley past guards on the bridge and passing him off as her drunken husband. Phoebe’s enthusiastic search for the Lacey Garland also brought a smile to my face.

A meticulously researched and engrossing story with fascinating characters, and an emotionally satisfying romance. Highly recommended.

Originally posted on Goodreads

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(Roundheads and Cavaliers #1)

Genre: Historical Fiction

Cover Blurb (Goodreads):

By the summer of 1639, England is sliding inexorably towards civil war, and the havoc of the times is reflected in the lives of the Maxwells of Thorne Ash.

Red-haired and independent of spirit, Kate Maxwell is determined not to let the coming conflict disrupt the lives of those she loves. During her father’s forced absence she vows to hold their home against marauding forces from both camps.

More threatening to her peace of mind than the actions of either the Parliamentarians or the Royalists is her growing attraction to the diabolically clever and irresistibly magnetic goldsmith and usurer, Luciano del Santi.

Hampered by the battling English, Luciano is fighting a fierce campaign close to his own heart – to avenge his father’s execution at the hands of false accusers and to repay the loan which has financed the venture. Failure will result in ruin, perhaps even death; but success will allow him to reclaim the Black Madonna – the carved obsidian symbol of his heritage and his vendetta…

♥♥♥♥♥♥

The turbulent years of the English Civil Wars, a time of tragic conflicts and divided loyalties, provides the dramatic backdrop for Stella Riley’s highly acclaimed Roundheads and Cavaliers series. Set in the period leading up to and during the First English Civil War (1639 to 1642), THE BLACK MADONNA, the first book in the series, is a masterful blend of history, politics, suspense, intrigue, revenge, and romance.

Ms. Riley’s characters are never one dimensional – to me they always feel like real people I have come to know and care about. I was immediately drawn into the lives of the Maxwell family – Richard, his wife, Dorothy, and their children, Eden, Kate, Amy and twins Tobias (Toby) and Tabitha. Seeing everything through their eyes gave an immediacy to the story.

I love Richard and Dorothy – they must surely win an award for being one of the most loving and devoted couples to grace the pages of a book. Richard, a Member of Parliament, is an honest and moderate man who wants what’s best for his country, but has no desire to take sides in the dispute between Parliament and the King. The safety of his family comes first, but as the country moves closer to civil war, there is no way to avoid taking sides.

Despite his parents’ efforts to dissuade him, Eden makes an ill-fated marriage to a Royalist. Kate is single-minded and often too outspoken, while coquettish Amy risks scandal, and Toby gets involved in some illicit goings on.

Richard sums it up perfectly…

’You know, Dorothy and I used to congratulate ourselves on having reared sensible children.  Now look at them.  Eden’s married to a selfish shrew; Amy had to be hustled to the altar before she could ruin herself; and I suspect that Toby is up to no good with son-in-law Geoffrey.  All I need now is for Tabitha to run off with a troupe of mummers or decide to take the veil and we’ll have a full set.’

I admire Ms. Riley’s ability to create unique and complex heroes like the enigmatic Luciano del Santi. He doesn’t immediately wear the cloak of a romantic hero, but Ms. Riley imbues him with a charisma that makes him irresistible. Now a wealthy master goldsmith and moneylender, Luciano came to England from Genoa 4 years ago to set up his own business, with a substantial loan from his uncle, Vittorio Falcieri. Luciano offered The Black Madonna, a simple obsidian figure, as surety for the loan. It has little monetary value, but has been revered by the Falcieri family for generations. If he does not pay the requisite interest on time each year and repay the capital after ten years, he stands to lose everything. Luciano is also on a mission to discover the identity of and seek revenge on the man who arranged for his father to be wrongly accused of treason for which he was executed. He is drawn into the lives of the Maxwell family when Richard and Eden rescue him from a viscous attack. I like how a unlikely but genuine friendship develops between Richard and Luciano. While others might despise him as a moneylender, Richard sees Luciano’s true worth.

The romance between Kate and Luciano is slow building, because they both try to deny the attraction, which leads to some rather cutting banter.

‘He must be a brave man.’
‘Who?’ she snapped.  And immediately regretted asking.
‘This suitor of yours.  Or doesn’t he know that you dip your tongue in vinegar every morning?’
‘No.  Why should I boast?  Some people dip theirs in hemlock.’


Kate tries to convince herself that what she feels for Luciano is no more than a passing fancy, while Luciano tries to push Kate away believing his desire to avenge his father could endanger her life. Ms. Riley does an excellent job of building the sexual tension, and when they finally admit their feelings for each other, it leads to a love scene that is both tender and sensual without being explicit.

Ms. Riley’s extensive research and knowledge of the time period is evident in her skillful and seamless blending of history and fiction into an engrossing story; sometimes it’s difficult to distinguish between the real characters and fictional ones. Luciano’s search for the man who arranged his father’s death provides some heart-stopping and heart-breaking moments, culminating in a nail biting climax during the final, bloody siege of Basing House, when Luciano confronts the man he’s seeking.

As always, there’s a fascinating and well drawn cast of secondary characters including –

Francis Langley – an elegant Royalist and Eden’s childhood friend

Celia Langley/Maxwell – Francis’s sister and Eden’s self-absorbed wife

Gianetta – Luciano’s bejewelled sister

Selim – his knife-wielding, Turk bodyguard

I enjoyed the brief appearance by Captain Justin Ambrose and a young Abigail Radford, who are the hero and heroine of A Splendid Defiance, set in 1644.

An engrossing story with fascinating characters and a meticulously researched historical setting. Highly recommended.


Originally posted on Goodreads

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A Trick of Fate

Someone is misusing Max Brandon’s name – resulting in bills for services he never ordered and goods he did not buy. For reasons he can’t begin to guess, he has become the victim of some unknown person’s campaign of persecution.

When the games move closer to home, almost forcing him to fight a duel … more particularly, when they draw in Frances Pendleton, a lady he never expected to see again … Max vows to catch the man behind them, no matter what the cost.

The result is a haphazard chase involving ruined abbeys, a hunt for hermits, a grotesque portrait … and a love story which, but for this odd trick of fate, might never have been given a second chance.

 

A TRICK OF FATE, the first book in Stella Riley’s new Brandon Brothers series, will be released on October 25th and can be pre-ordered from from Amazon, Kobo, and Barnes & Noble.

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The Black Madonna audiobook.jpg

(Roundheads and Cavaliers, #1)

 Genre:  Historical Fiction (17th Century – Genoa 1636 & 1646, English Civil Wars 1639-1645)

 Cover Blurb (Amazon):

As England slides into Civil War, master-goldsmith and money-lender, Luciano Falcieri del Santi embarks on his own hidden agenda.

A chance meeting one dark night results in an unlikely friendship with Member of Parliament, Richard Maxwell. Richard’s daughter, Kate – a spirited girl who vows to hold their home against both Cavalier and Roundhead – soon finds herself fighting an involuntary attraction to the clever, magnetic and diabolically beautiful Italian.

Hampered by the warring English and the quest itself growing daily more dangerous, Luciano begins to realise that his own life and that of everyone close to him rests on the knife-edge of success … for only success will permit him to reclaim the Black Madonna and offer his heart to the girl he loves.

From the machinations within Parliament to the last days of the King’s cause, The Black Madonna is an epic saga of passion and intrigue at a time when England was lost in a dark and bloody conflict.

♥♥♥♥♥♥

The Black Madonna is a sweeping, epic tale of love, betrayal, loyalty, intrigue, and a family’s determination to support each other throughout the bloody ravages of a civil war, into which their country has been plunged.

I loved every minute of this truly sumptuous and scintillating saga of triumph over adversity – firstly in the written word, and now in more than twenty-two glorious hours of audio, performed by the highly talented actor, Alex Wyndham.

As usual with this author, her characters are quite unique. Luciano Falcieri del Santi is an Italian master-goldsmith and usurer (money lender); he has imperfectly matched shoulders and a burning ambition to find out, not only the truth, but also to punish the men who, when he was only a boy of twelve, had perjured themselves in order to have his innocent father executed for treason in England.

He has worked hard to succeed at his craft and also has a natural flair for finance, which has enabled him to persuade his uncle to loan him a large amount of money. Luciano offers The Black Madonna as surety – a simple but serenely beautiful figurine, much treasured by Luciano’s family. It is all he has to bargain with, but such is the reverence with which the figurine is held that his uncle agrees.

Luciano’s occupation as a much despised money lender, his slight, but nevertheless fairly obvious, physical deformity, and his single minded and determined quest for revenge and justice would not immediately conjure up a romantic figure. But, somehow, in her usual inimitable way, Stella Riley has created just that – an enigmatic, brilliant and quite dazzlingly beautiful young man whom Kate Maxwell, much to her own initial disgust, is secretly in thrall to from their first meeting. She is fascinated to realise that he is the epitome of a painting of Lucifer, the fallen Angel, on the ceiling of her family’s chapel. Luciano dominates the story from the first page and eventually earns the friendship and trust of Richard Maxwell, an honourable and well-respected member of Charles the first’s doomed parliament, and the father of Kate and Eden, the two eldest Maxwell siblings, who figure predominately in this story.

It’s unnecessary to go into the politics and tragedies of the English Civil Wars in great depth in the review, because this talented historian and writer has done the hard work for us to enjoy. In fact, I am in awe of the daunting task she set herself when she began researching and writing this series more than twenty five years ago… without the benefit of the internet. Suffice to say that not only The Black Madonna but every book in this series, plus its companion A Splendid Defiance and The Marigold Chain, set in the Restoration period, are all masterpieces in their own right. Many of Stella Riley’s fictitious characters throughout the series make repeat appearances – some with stories of their own – such as Gabriel Brandon, Venetia Clifford, Eden Maxwell, Francis Langley and Justin Ambrose. So well-drawn and developed are these characters that they are almost indistinguishable from the nonfictional, historical military and political characters with whom they interact. Under the author’s clever hand, these nonfictional personalities are no longer just figures on canvases in art galleries or names in dusty archived records. Seen through the eyes of the author, they are living, breathing men who had difficult decisions to make and worries to contend with.

One thing Ms. Riley does particularly well is to show both sides of the argument in a fair and unbiased way. There was one particular conversation between two friends that jumped out at me. It clearly and succinctly explained how and why families and friends found themselves on opposing sides, and highlighted the sheer futility and difficulties faced by such families and friends in this situation. Eden Maxwell and Francis Langley have been friends since boyhood and discuss their differing beliefs on Parliament versus King. Neither allows their opinions to affect their long standing friendship but simply agree to differ. Obviously, once the first war begins in earnest, they do not actively pursue their friendship, although throughout the series, they occasionally meet up and continue to be friends. The two are also inextricably linked by Eden’s marriage to Francis’s sister, Celia, which in itself has its own problems, because she, like her brother, is a royalist. The tension in the Maxwell household, as the war gathers momentum, is tangible and has long reaching consequences for all of them.

The waters are further muddied by the differing religions of political leaders, officers and soldiers fighting on both sides. Complicated and difficult it may be to understand, but the author again explains the different reasons and factions in a way that can be understood by the layman. All in all, a mix of differing religious beliefs and fears only added to the almost impossible task of uniting a country and increased the problems of an already hopeless war which tore families and communities asunder.

Luciano relentlessly pursues his quarry, finding and dealing with each culprit in turn, until only one is left. At the same time, he is fighting a losing battle against his obvious love for Kate (aka Caterina) Maxwell, until eventually he can no longer deny his feelings, even though he fears his love may place her in danger.  The story hurtles towards its emotional and heart-rending culmination, an ending the author has plucked, in part, from the historic archives – the final falling of the long besieged Cavalier stronghold, Basing House – merciless, bloody and horrific- she cleverly intertwines it with the last piece of Luciano’s puzzle. In fact, the final 25% of the book, as all the threads come together, is truly nail-biting stuff. Stella Riley ratchets up the tension and emotion, drawing graphic pictures of the horrors of war to the point where one can almost smell the gunpowder and witness the horror and terror of the participants. At its centre is Luciano, his formidable Turkish man servant, Selim, his beloved Caterina, and the last man who must face Luciano’s reckoning.  Here I must add that, as much as I loved reading it, the narration by master-of-his-craft, Alex Wyndham, adds another dimension to an already fabulous book which, were it a play, would certainly earn a standing ovation.

Surely The Black Madonna must be an actor’s dream to perform – for perform it Mr. Wyndham does, with quite outstanding success. I can only imagine the challenges he faced with such a huge cast of characters of both sexes. Knowing this story well, having read it at least three times, I had pre-conceived ideas on how I thought the characters would sound, and I wasn’t disappointed. Luciano’s voice is ‘like warm silk’, to quote the author, and it’s at its silkiest best when he talks to his Caterina. Luciano has a multifaceted nature, one side of which – his inherent aloneness – I felt very keenly and Mr. Wyndham portrays this facet of his character with sensitivity. Okay, Luciano deliberately cultivates it in order to stay safe, and of course as a money lender was reviled by the very people who were in debt to him, and he had learnt to trust very few people. Nevertheless, at times, I felt sad for him. He shrouds himself in an aloofness and, on occasions, adopts a quiet, deadly insolence, which is reserved for those people he holds in contempt. Alex Wyndham captures the many facets of Luciano’s character to perfection; the subtle nuances of his moods – silky smooth, deadly dangerous and insolence.

There are far too many individuals to mention separately, but a few characters really stand out for me in Alex Wyndham’s portrayal of them.

  • Richard Maxwell – a quiet likeable man with oodles of integrity
  • Eden Maxwell – a no-nonsense career soldier who begins by being quietly happy with his lot but, as a result of betrayal, becomes embittered and morose, which shows in his voice
  • Celia Maxwell, Eden’s wife – a querulous and waspish woman who is easy to dislike
  • Francis Langley – the languid, long-haired, elegantly attired, devil-may-care, Cavalier officer, who would rather read poetry than go to war
  • Gianetta, Luciano’s little sister – highly strung, excitable and volatile
  • Finally the Irish Catholic patriot, Liam Aherne – quiet and stern but with a delightful, lilting Irish accent

These are only a handful of the diverse cast Alex Wyndham juggles with.

Each time I hear this performer, I wonder anew how on earth he’ll do it, but I’m never disappointed with his performance. A consummate and professional actor with a voice like ‘warm silk’, to quote the author again in her description of Luciano, but which also fits Alex Wyndham to a tee.

The Black Madonna is another triumph for Stella Riley and her narrator, Alex Wyndham. A magnificent blend of historical fiction and historical romance, with the emphasis on the thoroughly and accurately researched history. The plotting is first rate – intriguing and plausible, and the romance is slow developing – deep and abiding.

MY VERDICT: A heart-warming and romantic saga of family, love and war. Simply not to be missed!  We can only hold our breath and hope that Ms. Riley is able to have the rest of the series recorded. 

 

REVIEW RATING: STELLAR 5 STARS

NARRATION RATING: STELLAR 5 STARS

SENSUALITY RATING: WARM

 

Roundheads and Cavaliers series (click on the book covers for more details):

 The Black Madonna (Roundheads and Cavaliers, #1) by Stella Riley Garland of Straw (Roundheads and Cavaliers, #2) by Stella Riley The King's Falcon (Roundheads and Cavaliers, #3) by Stella Riley Lords of Misrule (Roundheads and Cavaliers, #4) by Stella Riley

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

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