(Blackshear Family #1)
Genre: Historical Romance (Regency)
In Cecilia Grant’s emotionally rich and deeply passionate Regency romance debut, a deal with a rumored rogue turns a proper young woman into . . . A Lady Awakened.
Newly widowed and desperate to protect her estate and beloved servants from her malevolent brother-in-law, Martha Russell conceives a daring plan. Or rather, a daring plan to conceive. After all, if she has an heir on the way, her future will be secured. Forsaking all she knows of propriety, Martha approaches her neighbor, a London exile with a wicked reputation, and offers a strictly business proposition: a month of illicit interludes . . . for a fee.
Theophilus Mirkwood ought to be insulted. Should be appalled. But how can he resist this siren in widow’s weeds, whose offer is simply too outrageously tempting to decline? Determined she’ll get her money’s worth, Theo endeavors to awaken this shamefully neglected beauty to the pleasures of the flesh—only to find her dead set against taking any enjoyment in the scandalous bargain. Surely she can’t resist him forever. But could a lady’s sweet surrender open their hearts to the most unexpected arrival of all . . . love?
This was Cecilia’s Grant’s debut novel in 2011 and it has to be one of the most unconventional Historical Romances I have read. While the premise bears similarities to other books I have read, it is Ms Grant’s unique voice and wonderfully flawed and interesting characters that make this book exceptional.
When Martha Russell’s husband is killed in a riding accident, she knows that, as a childless widow, Seton Park will pass to her late husband’s brother, James Russell. With very little means of supporting herself, she has no option but to live as her brother’s dependent. Then her solicitor advises her that it is normal to wait sufficient time to ensure that she is not carrying her late husband’s son and heir. She knows full well she is not pregnant but it offers her a few more weeks or a month at Seton Park. She is not only concerned for the future of her tenants and servants but she has given her support to the building of a new school for the local children. This could be in jeopardy because James Russell will decide whether it is to be built or not and Martha also learns of his reputation for taking advantage of female servants. Desperate to protect both the tenants working on the estate and the females of her household, she formulates a plan…to get pregnant. All she needs is a gentleman who is willing to have sex with her once a day for a month, for which service she is willing to pay five hundred pounds regardless of whether it is a boy or girl, and fifteen hundred pounds more if she gives birth to a son. Learning of his disreputable reputation, newly arrived Theophilus Mirkwood seems like the perfect candidate.
This could end in a dozen different kinds of disaster. There’d be no guarantee of success. And how to get through it without losing all claim to principle, she couldn’t begin to imagine.
So be it. She could wait for Providence to come to these women’s aid, or she could make use of what Providence had already put in her path. “Sheridan.” She twisted to face her maid squarely. “Tell me again about Mr. Mirkwood.
Tired of his son’s spendthrift and dissolute ways, Theophilus (Theo) Mirkwood’s father has stripped him of his allowance and banished him to the country estate in Sussex in the hope that Theo can improve himself by learning some land management skills. Theo is surprised to receive a request that he call on his neighbour, the widowed Mrs Russell, but he is totally unprepared for what follows!
“I can get you funds, Mr. Mirkwood, in exchange for something from you. I need to conceive a child.”
Only by heroic will and quick use of his napkin did he prevent a mouthful of tea from spewing straight into his lap. He choked and sputtered, and groped for the fresh napkin she held out to him as his teacup met its saucer all clumsy and percussive.
Somehow the prim, stern widow, dressed head to toe in black, intrigues him and he finds himself fantasising about what she would be like in bed. Despite her insistence that this is purely a business arrangement from which she has no wish to derive any pleasure, Theo is sure that, as an experienced lover, he will be able to seduce her. But Martha seems completely immune to all his efforts and, if he is to fulfil their bargain, he may have to rethink his strategy.
What I love about this book is the understated way in which Ms Grant builds the relationship between these two disparate people. Theo is charming, funny and good-natured with the ability to put people at ease, but he is honest enough to admit to being a spoiled, lazy wastrel because that’s all anyone had ever expected of him. Martha is the complete opposite – serious, stubborn, highly principled with a genuine desire to better the lives of her tenants and provide education for the young estate girls.
Their ‘afternoon appointments’ are awkward and totally unsexy. Martha wants Theo for one thing only…his seed and nothing else. I’m so pleased Ms Grant didn’t make Martha frigid. She has experienced pleasure (albeit at her own hand) but she refuses to compromise on her principles. Although she comes to like Theo, she can never have any emotional connection to a man she cannot respect and whose sole purpose in life is the pursuit of pleasure. I admire how Martha stays true to her principles throughout the story. Poor Theo. The one thing he really excels in is knowing how to please a woman but having Martha shrinking from his every touch has him questioning his own self-worth.
Surprisingly, Ms Grant imbues these impersonal sex scenes with considerable humour and these inner thoughts of Martha’s are my particular favourite.
Where she was molded, he was rough-hewn. Where her form curved with logic and precision, not to mention breeding parts tucked neatly away, he looked rangy, haphazard, his male parts an ill-placed afterthought. Like the last leftover bits of clay scraped together, rolled into primitive forms and stuck onto the middle of him, the stones in their rough red sack and that improbable appendage dangling to the fore.
Through their regular after-sex discussions, they get to know each other better and an unlikely friendship develops. They take walks and start to learn from and help each other. Although initially feigned to gain Martha’s approval, Theo’s interest in land management and his tenants becomes genuine and Martha encourages him to believe in his own abilities, something no one has ever done before. Martha’s reserved nature means that she finds it difficult to socialise and when Theo discovers that she has no friends, acquaintances or callers, he arranges for people to call and I loved Martha’s response when Theo asks her…
“And what worthy things did you accomplish today?”
I didn’t accomplish a thing.” Her smile deepened, sweet and bracing as a bite of lemon cake. “I had callers.”
Gradually this friendship grows into affection, admiration and finally love and I like how their sexual encounters undergo subtle changes to reflect their evolving relationship.
It seems improbable that such a morally principled woman like Martha would be willing to cheat a man out of his inheritance but, for her, it is the only way to protect her female servants, her tenants and ensure that the school is built. When she meets James Russell’s wife and children, I could feel that she is troubled over cheating these boys out of their future inheritance and has great sympathy for Mrs Russell.
The secondary characters, Mrs Weaver and her children, Mr Barrow and Mr Atkins, the curate, all add depth to the story and highlight the ways in which Theo and Martha grow and change in the course of the story. Look out for the Weaver’s devious pig who steals the show with his antics every time he makes an appearance.
I like how Ms Grant portrayed the villainous James Russell as an “unimpressive figure”. As was frequently the case with such men, it was his position and power which allowed him to prey on the women in his employ.
I thought the ending was well thought out with everything tied up in a satisfactory and believable way and allowing Martha and Theo to finally marry. As a devotee of the Epilogue, the lack of one was my only gripe, but not enough for me to give the book less than 5 stars.
I can’t end this review without reference to Ms Grant’s wonderful writing and here are a few of my favourite quotes.
“Shouldn’t you have seduced me first? Or drugged my tea, and let me wake up chained to a bed?”
She colored, and looked more disapproving yet. “This is a business arrangement. I should like to conduct it accordingly.”
The pig heaved forward, but Theo blocked it with one boot. “May I present Mr. Mirkwood, the proprietor’s eldest son? I’m showing him round the estate today.” With surprising agility, the pig feinted left and then surged right. He just managed to get his boot in front of it again, prompting an indignant barrage of squeals and grunts to round out the general cacophony.
His blood hummed and tingled as though tiny benevolent hornets were racing through his body.
Damnation, but she did make him feel like a king. She made him feel as though he’d always been one, muddling along just waiting for her to kiss him out of some enchantment into his birthright.
MY VERDICT: Definitely recommended and I look forward to reading the other books in the series with relish.
REVIEW RATING: 5/5 STARS
SENSUALITY RATING: HOT
Read July 2016
Blackshear Family series (click on the book covers for more details):
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