Posts Tagged ‘Read in 2018’

The Marigold Chain Audio Book

Genre: Historical Romance (17th Century – Restoration England, 1666)

Cover Blurb:

England, 1666; the year when people who take prophecy seriously believe that the world is going to end.

For Chloe Herveaux, marriage to wild, unpredictable Alex Deveril offers escape from a home she hates. For Alex, waking up with an epic hangover, the discovery that he has acquired a bride is an unwelcome shock. But while the marriage remains in name only, other forces are gathering.

England is once again at war with the Dutch and Prince Rupert suspects that sabotage is at work within the fleet. Instructed to find and stop the traitor, Alex enters a dark labyrinth of intrigue – where no life is safe, and nothing is what it seems.

Chloe, meanwhile, navigates the shark-infested waters of Charles the Second’s Court and plots a course of her own aimed at financial independence. But as the intriguing facets of Mr Deveril’s personality are gradually revealed to her, Chloe’s mock-marriage becomes fraught with difficulties – the greatest of which is Mr Deveril himself.


The Marigold Chain was my very first book by Stella Riley and I loved it from beginning to end, consequently it has a special place in my heart and on my keeper shelf. After my first reading, more than two years ago, its characters, both main and secondary, remain with me as clearly as if I’d just put the book down. I couldn’t have been happier when I heard a whisper that the supremely talented Alex Wyndham was to record it and waited with much anticipation for its release. And, oh my…but it was worth the wait.

Set during Restoration England, The Marigold Chain follows eight months in the lives of Alex Deveril and Chloe Hervaux – a man and woman thrown together by unusual and unorthodox circumstances. The real events unfolding around their seemingly ordinary lives add to the thrill of this wonderfully rich story, in which our couple become well and truly embroiled. The fabulous cast of historical figures are so cleverly interwoven with fictitious characters that it is difficult to know for sure who lived and who is a figment of the author’s fertile imagination.

One night, Alex Deveril is out on a drinking spree to end all drinking sprees, having been rejected by the woman he believes he loves. Alex is outrageous and unconventional at the best of times but, this time, he outdoes even himself. Whilst involved in a card party at the home of Chloe’s step-brother, she is offered as the stake in a game gone too far, when her odious brother runs out of funds to pay his debts. Never one to turn down a challenge, Alex accepts and wins. To be fair to Chloe, she does try to refuse, but her step-brother (no blood relative) is vile and has become a nuisance with his unwanted, and some might say, incestuous advances towards her, and she is desperate to leave his house and her life of drudgery behind. Still drunk beyond reason, Alex convinces Chloe to leave with him in the dead of night and insists on rousing a clergyman, even going as far as shimmying up a drainpipe in order to persuade him into marrying them. Drunk or not, Alex knows what is right and the wedding takes place. While Alex sleeps off his excesses, Chloe has a long night of contemplation and faces up to the realisation that she may have taken unfair advantage of Alex in her haste to escape her brother. She should have refused his drunken proposal, no matter how gorgeous he is or how enticing the prospect of being his wife might be. After discussing the matter, they decide that eventually they will pursue an annulment, although neither is in a hurry to be free, each for reasons of their own.  So, for the time being, their marriage-in-name-only, will remain just that.

The year is 1666 and the country is still struggling and in debt, after years of civil war followed by an horrendous loss of life as a result of the plague. Now, to add to her problems, England is at war with the Dutch and France is about to join in. Alex has recently returned from soldering after fifteen years of fighting, both as man and boy, to discover that his birth right has been stolen during his absence. Always fiercely loyal to the crown, like his father before him, Alex cannot dispel the unfairness of it and, as a result, has become an embittered and acerbic young man. And yet, he retains the respect and affection of his peers who fought with him and know his loyalty and friendship are worth having. Alex’s inner group of friends who remember him as he used to b – charming, witty and reckless – are generally willing to overlook his biting tongue and tolerate his much-changed demeanour.  For his part, Alex does his best to push his friends away, but they refuse to abandon him, although there are moments when they wonder why. Then his occasional flashes of breath-taking charm, ever ready wit and obvious intelligence, remind them that the Alex they knew still exists. Chloe is no different to his friends; she was besotted with Alex from the moment she met him, and still is. However, an inner awareness tells her that her feelings must be kept hidden, not only to avoid his derision, but also because a strong sense of justice tells her that Alex must never feel trapped into staying married to her.

Chloe’s character and person are beautifully drawn – a compelling young woman with an understated beauty and gentle innocence. However, she is no pushover and knows how to run and care for a household on a limited budget, after suffering under her step-brother’s roof as an unpaid housekeeper. Alex may not realise it, but he has met his match… and his love. Chloe tolerates his moods, but only up to a point, and then quietly but firmly puts him in his place. She often risks his displeasure and bad humour by intervening in his plans – for his own good – such as when she realises he is about to embark on something he will later regret. Often, her intervention is done with the collusion of his friends, all of whom fall under her guileless spell and also realise, fairly soon after the marriage, that Chloe could be Alex’s salvation.

Their relationship develops through various phases; at first as strangers, then continuing onto friendship and confidantes and finally to the inevitable and, in true Stella Riley fashion, she grows their love story slowly and sweetly. At first, Alex accepts his wife’s company as just another person around him to be tolerated and often ignored, until without him realising it, she becomes necessary to him. He nicknames her Marigold from the beginning and, at one point, on her first visit to court with him, he presents her with a pretty necklace, the Marigold Chain. Alex has obviously chosen it with care, although he is very blasé about the giving of it to her. Its colour (matching her hair) and simplistic, understated beauty is Chloe to a tee and she cherishes it. I love the classy and unusual titles this author chooses for her books, but of all of them, The Marigold Chain is my favourite, given the special significance of this particular title.

While Alex is well aware of his flaws but unrepentant, he is also a highly intelligent man of unequivocal integrity. His previously proven military prowess has earned him the trust and respect of Prince Rupert, cousin to King Charles II and Commander of the Naval Fleet. Together with his friend Giles Beckwith, Alex is contracted into covertly searching for a possible traitor in their midst. There is no actual proof that a traitor exists, just a few unexplained ‘accidents’ which have cost the English Navy, ships and lives. The ensuing events are fast moving, exciting, and exactly what an adrenalin junkie like Alex Deveril needs to shake him out of the doldrums.

Stella Riley covers so much in this story; a snapshot of warfare, death and injury on board his Majesty’s ships during wartime; the Great Fire of London, where we see the cramped wooden buildings in their narrow lanes, the fire eating its way relentlessly through London and the despair of her inhabitants as they fight fruitlessly to save their homes, and then the final devastating toppling of Paul’s cathedral. The licentious, gluttonous, fashion obsessed court of the womanising, but shrewd and enigmatic, Charles II, and the despair of his Queen as he flaunts his mistresses are all brought vibrantly to life by this talented author, whose love and obvious knowledge of her subject is indisputable. We are not overwhelmed with extraneous historical detail but rather Ms. Riley sets out the facts clearly and precisely and in a way that makes the reader/listener desirous to learn more and filling in the gaps with intelligent probabilities and a delicious romance to boot.

Alex Wyndham has quite a job on his hands as he handles, with great aplomb, the sarcastic, cynical, Alex Deveril. It would be all to easy to dislike this young man, but I loved his complex character.  Alex Wyndham captures him to perfection, showing along the way, with his intuitive interpretation of the author’s writing, that here is a decent and honourable young man who has had a raw deal and only needs that certain someone in his life to redeem him. Alex’s reckless disregard for his own safety sees him hurtling towards his own ruin and his friends, understanding the reasons, do their best to mitigate his behaviour. Alex Wyndham, consummate actor that he is, has to deal with all of this – an Alex Deveril who does not suffer fools gladly and thinks he neither wants or needs anyone, but who then undergoes a lightbulb moment of such epic proportions that he is left reeling from the shock and how to deal with it. A lesser actor could not have pulled off this transformation so effectively and believably.

Mr. Wyndham’s tone of voice undergoes a subtle change, but it is so well done that we are aware that we are still listening to Alex Deveril, an angry young man for the most part of the story, but one who suddenly finds himself again, after a long time in the wilderness. You immediately know that Alex Deveril’s feelings have undergone a colossal change simply by Alex Wyndham’s alteration in inflection while still retaining the recognisable ‘voice’ he has adopted for Alex Deveril. I was so taken by Alex Wyndham’s performance that I listened to this same part a few times just to enjoy and marvel at his expertise. There are a couple of places where he has to deal with Stella Riley at her emotional best – real tear jerkers – I promise – but no spoilers. All I’ll say is that listeners will not be disappointed by Stella Riley’s words or Alex Wyndham’s rendering of them – but have your tissues ready. Oh…and he sings in a couple of places AND quotes poetry – I could go on and on – just sit back and enjoy.

Before reading The Marigold Chain, I’m ashamed to say I knew little about The English Civil War and the Restoration. It was a war which split families apart and ravaged our country for the best part of ten years, and saw an anointed King beheaded. How could I not have been interested? However, this has all changed now because I have become totally hooked by Stella Riley’s world of Cavaliers and Roundheads. I strongly recommend the uninitiated to listen to The Marigold Chain and A Splendid Defiance and to read her English Civil War series, beginning with The Black Madonna which, by the way, is stupendous.

MY VERDICT: I can’t imagine anyone who enjoys superbly researched history, compelling and intriguing characters (fictitious and historical), a fast paced and exciting mystery, coupled with a bone melting romance, not loving THE MARIGOLD CHAIN. And let’s not forget the exceptionally talented, Alex Wyndham, who adds that extra spark of brilliance. Highly recommended.









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Satyr's Son Audio

(Roxton Family Saga, #5)

Genre: Historical Romance (Georgian, 1786)

Cover Blurb:

Roxton Family Saga Book 5: Henri-Antoine and Lisa’s Happily Ever After 

London, 1786. Lord Henri-Antoine has returned from the Grand Tour to a life of privilege and excess. A vast inheritance allows him every indulgence, free from responsibility. Yet, Henri-Antoine maintains a well-ordered existence, going to great lengths to conceal an affliction few understand, and many fear.

Miss Lisa Crisp is a penniless orphan who relies on the charity of relatives to keep her from the poorhouse. Intelligent and unflappable, Lisa will not allow poverty to define her. She leads a useful life working among the sick poor.

Under startling circumstances, Henri-Antoine and Lisa meet. There is instant attraction. When they find themselves attending the same wedding in the country, Henri-Antoine offers Lisa a scandalous proposition, one she should refuse but yearns to accept. Following her heart could ruin them both.


So, we reach the end of Lucinda Brant’s sumptuous Georgian, Roxton family saga. Or do we? I can’t believe Ms. Brant will find it easy to let go of the very real and loveable Roxton family she has created and I’m sure I speak for other fans when I say I hope she doesn’t – at least not yet. This is a family with secrets still to reveal and we need to know them. For instance, what events in Renard Hesham’s early life shaped him into the man we first meet in Noble Satyr? Almost forty years of his life are still unaccounted for and, as usual, Ms. Brant has dropped subtle hints that there is more to him than she has yet told us. However, for the purposes of this review, with Satyr’s Son, the series has come full circle from where it began as Ms. Brant tells Lord Henri-Antoine (Harry) Hesham’s story, the younger of Renard and Antonia’s two sons.

On first acquaintance, Lord Henri-Antoine Hesham is shown in a bad light – blatantly and unapologetically bedding his friend’s mistress and ringleader of a group of badly behaving, aristocratic friends. However, a little later, it becomes clear that, in reality, he is actually a kind and generous young man whose outward demeanour hides a deep-seated vulnerability. Harry has suffered from debilitating falling sickness (epilepsy) since birth and, as a result, has deliberately adopted an aloofness, preferring to hold himself apart from most people, even his family up to a point. This demeanour is a coping mechanism, albeit one that does him no favours with his peers. But, early in the story, amidst Harry’s excesses, the author gives us a glimpse into his true character –  for why would he go to the trouble of attending an auction to purchase shells for his beloved little sister, Elsie, if he were as uncaring as he prefers people to believe him?

It is during one of his fits that he ‘meets’ the absolute antithesis of himself. Lisa Crisp is a poor, hardworking girl with no connections to the nobility, other than as a niece by marriage to Lord Henri-Antoine’s mother’s ex lady’s maid.  Lisa lives on the charity of the family and has done so since she was orphaned as a child. She just happens to be in the right place at the right time when Harry literally falls at her feet during an epileptic seizure. As an assistant in her uncle’s dispensary for the sick poor, Lisa is used to coping with all kinds of ailments, including falling sickness, and deals with the situation in her normal practical, no nonsense manner – calmly and gently soothing Harry, wiping his face and stroking his hair during the worst of his struggles. Harry only has the haziest of recollections after he recovers but does recall seeing the image of a Botticelli Angel just before he blacks out. This image is confirmed by his best friend Jack (Sir John) Cavendish, who was also there, and leaves Harry intrigued and determined to find and thank his ‘Angel’. His minders, or ‘lads’ as they are known, protect him from prying eyes when he is at his most vulnerable and it is virtually unknown for anyone to witness an attack let alone actually witness one and not be repulsed by it. I was, by this time, loving the direction this story was taking, because I don’t ever remember coming across such a scenario before and one where the author, who has quite obviously done her homework, deals with the implications of it in such a sensitive and caring manner.

It doesn’t take Harry long to track Lisa down to her uncle’s dispensary and it just so happens that he knows of Dr Warner, an eminent physician, anatomist and the husband of Lisa’s cousin. The doctor has radical ideas well ahead of his time with regard to sickness/illness and the treatment of it, but also believes that to further the advancement of medical science, the future training of bright young men to become physicians is vital. As most of these young men do not have wealth or connections, Dr Warner has applied for the funds to enable their training which he hopes will come from rich sponsors. Harry is one such sponsor – a philanthropist with a genuine interest in furthering medical science for both rich and poor, notwithstanding his own apparently incurable disease. This interest and generosity is yet another dimension to Harry’s character that his critics are unaware of and it has long been his practice to anonymously invest large amounts of his own money through the Fournier Foundation (Harry’s brain child) to aid such projects that Dr Warner needs support and funding for.

It became clear to his parents early in Harry’s life that his affliction could not be ignored and was unlikely to go away and must therefore be dealt with. His father, Renard Hesham, fifth Duke of Roxton, a very forward-thinking man, sets the wheels in motion for Harry to be able to do something worthwhile with his life. In his young days, Roxton was considered an unredeemable rake but marriage to Antonia had changed his habits for ever. Despite his rakish past, he was a highly intelligent man and having finally found the love of his life in middle age, he had settled down to become a loving husband and father. His wife and children became his life and he spent much of the first twelve years of his younger son’s life caring for and observing him during and in the aftermath of his traumatic seizures. Renard came to see and understand the similar character traits that he and Harry shared and took the momentous step of bequeathing his beloved son a fortune. The size of this fortune far exceeded the amount considered to be the norm for a younger son, but Roxton obviously trusted his son would use it wisely – after all, was he not his son? This fortune, along with his extraordinary good looks, further sets Harry apart from his peers; it enables him to live independently and cope with his illness without detection, but it also has the unfortunate effect of causing envy among his peers, which only served to accentuate his outwardly arrogant aloofness.

Since the age of nine, Sir John Cavendish has been Harry’s one true friend and the only person outside his family who truly knows Lord Henri-Antoine Hesham and appreciates and accepts the frustrations which cause his friend to lash out at the people he cares for, himself included. Jack is to marry Teddy, his first cousin, and the daughter of Proud Mary (book 4 in the Roxton Family Saga). Jack worries about leaving his friend, as he must on his marriage to his childhood sweetheart and wishes fervently for him to ‘fall off a cliff in love’ as Jack is convinced will happen to his friend one day. Much of the ongoing story takes place at Treat, ancestral home of the Roxton family, where the family wedding is to take place. Teddy is as delightful a young woman as she was a child (I adored her characterisation in Proud Mary). She has no airs and graces and is excited that her best friend from her school days, Lisa Crisp, has been found – at Teddy’s request – by her cousin, Antonia, Duchess of Kinross and dowager Duchess of Roxton and a wedding invitation issued.

Despite her lowly birth, Lisa soon has most people at Treat eating out of her hand, with her natural sweetness of nature and unaffected beauty. Harry too is smitten and has been since their first meeting, and I loved how Ms. Brant develops the love story between them, plausibly knocking down the social barriers in the process. From their first conscious meeting (after Harry tracks her down), it is obvious that they are meant to be together but how to bring these two polar opposites together. He is his own worst enemy because, in the way of someone like Harry who is not as sure of himself as he appears but needs to hide his lack of self-confidence, he constantly strikes out at the people he loves the most, albeit usually with the finest of motives.

Harry wants Lisa very much but believes he is not worthy of her love and must save her from wanting someone like him. Harry is a complex character who hasn’t gone down well with some readers/reviewers. Personally, I loved him and can see why someone such as Lisa would have been captivated by him. Imagine living with an affliction such as his in the time this story is set. He is saved from an asylum only because of his wealth, position and powerful family and must live his life with the constant fear of humiliation and scandal, not only for himself but for his family as well, should his affliction become public. Despite his looks and wealth, how could he not be vulnerable and unsure of his self?  And yet, he takes an active interest and anonymously donates to causes which aid the sick poor. No, Harry is a rather gorgeous, if flawed young man, and Lisa’s evident love for him, her complete disregard for his illness and her refusal to be pushed away for her own good is heart-warming. Her pure and unselfish love becomes even more evident towards the end of the story in a couple of beautiful and moving scenes in which Antonia, Julian and Harry are involved. One scene in particular is reminiscent of one in which Deb was involved in Midnight Marriage. In fact, there are a couple of instances where Ms. Brant gives a *nod* to scenes in which Harry behaves in much the same way as his father did. However, I fear that only true lovers and followers of Ms. Brant’s exquisite work will realise the author’s intentions.

As usual, Ms. Brant’s attention to detail and in-depth research into the life and times of the Georgian period is second to none and I always come away from reading one of her books more knowledgeable.  In Satyr’s Son, my ahhh moment came when the author tells us of the origins of London’s world famous Natural History Museum.  I shall return on my next visit with fresh eyes to look for evidence of the family who once lived there.

How many ways can I say that Alex Wyndham is my favourite narrator? That his name on an audio book will always hook me? It becomes more and more difficult after the many reviews I’ve written for books he has narrated, or performed, would be a fairer adjective. As usual, he has outdone himself and has even ‘found’ a new voice that exactly matches the description of the character I heard in my head when I read the print version of Satyr’s Son. Lord Henri-Antoine is said to have a voice ‘like hot chocolate’ and I couldn’t agree more as Alex Wyndham rises to the challenge of proving it. Then, I’ve always thought that this man has a voice I could easily drown in – like melted chocolate or maybe even black velvet. He is multi-talented with oodles of artistic jeux de vie and it is very easy to forget that he is handling a multi character cast of male and female characters. But before I stop waxing lyrical, I must mention one of my favourite characters of this series – Jonathon, Duke of Kinross. Thanks to Ms. Brant’s wonderful characterisation and Alex Wyndham’s portrayal of him, I DO forget that he’s actually just a character from the author’s clever and fertile imagination. He is 6’4″of gorgeousness, issuing words of wisdom in the special voice this performer keeps just for him, and which somehow encompasses his ebullient bigness and inherent kindness and always gives me goose bumps!

MY VERDICT: A wonderful end to a wonderful series? Hopefully, not the end. From NOBLE SATYR TO SATYR’S SON…which is my favourite of the series? I can’t say because whichever book I’m reading or listening to at the time tends to be my favourite. However, SATYR’S SON is definitely a Stellar 5 stars for me.






 Roxton Family Saga (click on the book covers for more details):

 Noble Satyr Midnight Marriage Autumn Duchess Dair Devil Proud Mary Satyr's Son

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The Lost Letter

Genre: Historical Romance (Victorian)

Cover Blurb:

England, 1860. An impoverished Victorian beauty is unexpectedly reunited with the now beastly earl who once broke her heart. Will they finally find their happily-ever-after? Or are some fairy-tale endings simply not meant to be?

Society beauty Sylvia Stafford is far too pragmatic to pine. When the tragic death of her gamester father leaves her destitute and alone, she finds work as a governess in a merchant’s household in Cheapside. Isolated from the fashionable acquaintance of her youth, she resigns herself to lonely spinsterhood until a mysterious visitor convinces her to temporarily return to her former life–and her former love.

Colonel Sebastian Conrad is no longer the dashing cavalry officer Sylvia once fell in love with. Badly scarred during the Sepoy Rebellion, he has withdrawn to his estate in rural Hertfordshire where he lives in near complete seclusion. Brooding and tormented, he cares nothing for the earldom he has inherited–and even less for the faithless beauty who rejected him three years before.

A week together in the remote Victorian countryside is the last thing either of them ever wanted. But when fate intervenes to reunite them, will a beastly earl and an impoverished beauty finally find their happily-ever-after? Or are some fairy-tale endings simply not meant to be?


I loved this tender, emotional and romantic debut novel from Mimi Matthews which features a second chance story, one of my favorite themes. 

Colonel Sebastian Conrad followed the career expected of all the second sons of the Earls of Radcliffe and became a soldier. Orderly, disciplined and rather serious, life as a career cavalry officer suited Sebastian perfectly. While on leave in London, he accepts an invitation to a musical evening where he is captivated by the lovely Sylvia Stafford.

With her genuine warmth and kindness, baronet’s daughter, Sylvia Stafford, is very popular and has attracted many suitors. However, it is the rather serious and aloof Colonel Conrad to whom she is attracted.

Over the next two months, they meet ‘by accident’ at various events and it is obvious that they have fallen in love. Sylvia anticipates that Sebastian will propose, especially when he asks for a lock of her hair and they kiss, but Sebastian does not propose, fearing rejection. The following night, he is ordered back to his regiment in India to assist in putting down a rebellion. When Sylvia’s numerous letters to Sebastian go unanswered and Sebastian’s letters to Sylvia are returned unopened, both feel hurt and betrayed by the other.

Three years have passed, and both have experienced dramatic changes in their lives. After Sylvia’s father, an inveterate gambler, lost everything on a hand of cards, he committed suicide and, because of the ensuing scandal, Sylvia’s remaining family and her society friends deserted her. Forced to fend for herself, she obtains a position as governess to a merchant family’s children. It has taken a long time to recover from the pain and hurt of Sebastian’s rejection but now she is happy and contented with her new life.

Terribly scarred and blind in one eye, Sebastian has returned to England to find that both his father and elder brother have died of fever and he is now the Earl of Radcliffe. In continual pain, he lives a lonely and isolated existence in his apartments at Pershing Hall with no interest in running the estate and totally disconnected from his former life. I can understand Sebastian’s reasons for wanting to hide himself away; even his own sister, Julia, screamed when she first saw his face and he fears his tenants’ reactions should they see him.

It was too easy to imagine their horrified reaction to the sight of his scarred face. Granted, he had known most of his father’s tenants since his youth, but mere familiarity was no guarantee that they would not respond to him with pity and disgust.

Julia, however, is determined to draw her brother out of his state of apathy and, when she sees the lock of hair he always keeps with him, she will leave no stone unturned to find its owner.  Having discovered her identity, Julia visits Sylvia and is not above telling a few white lies to persuade a very reluctant Sylvia to return to Pershing Hall as her guest for a few weeks.  It is Julia’s fervent hope that spending time together will rekindle the love that Sebastian and Sylvia once shared. Even though she fears the reception she might get, I admire Sylvia for her courage and compassion in agreeing to accompany Julia.

No matter how cruelly Sebastian had treated her in the past, he did not deserve to be suffering in such a dreadful manner. No one did. If her presence could alleviate even a fraction of his pain, she must go to him.

I like how Ms. Matthews creates a palpable tension between Sebastian and Sylvia in the library scene. Driven by his feelings of hurt, bitterness and anger for having been shunned in such a heartless way, Sebastian is cold and distant towards Sylvia. Knowing of her reduced circumstances, he believes the worst…that her motives are purely mercenary now that he is an earl. While Sylvia is sure that her father’s scandalous death and her bold first letter to Sebastian offended him, and they were the reasons for him not answering her letters.

It is obvious that they are still very much in love, but the past remains an ever-present obstacle until the truth concerning the letters finally comes to light. Someone had deliberately set out to mislead them into believing they had forgotten each other and I felt so much sympathy for Sylvia, knowing that this person had deceived her for their own selfish motives with no thought for her happiness. This is a turning point for them because they are now able to talk openly. I like how Sebastian apologizes for his previous cruel and uncivil behaviour and Sylvia is determined that Sebastian will no longer hide himself away in darkened libraries and shadowy portrait galleries. He is fearful that, seeing him in the light of day, will drive Sylvia away and I love the poignant scene that follows.

…then she set her fingertips very gently on the scar at the side of his eye. Her touch was warm and soft and heart-breakingly tender. He tried to concentrate on his breathing. An impossible task as she began to trace the path of his scar down his cheek.

The romance is beautifully written – sweet, tender and romantic, with only one passionate kissing scene, which fits the mood of the story perfectly.

As in all good romances, the course of true love doesn’t run completely smoothly when Sylvia misconstrues something Sebastian says. It takes the discovery of the ‘Lost Letter’ to put them back on track for a Happy Ever After. It is such a touching moment when Sebastian reads the letter, sealed with a thousand sweet kisses only for him and I love the scene when he finally responds to her letter in person. So romantic!

I like how the secondary characters play an important role in the story, especially Julia and Sebastian’s valet, Milsom. Julia maybe annoying at times and her methods rather questionable, but her heart is in the right place and it’s obvious that she loves her brother very much. I like the genuine affection between Sebastian’s and Milsom. Julia and Milsom’s various ploys to bring Sebastian and Sylvia together are amusing and provide some lighter moments in the story.

I like Ms. Matthews’ elegant writing style and the story has an authentic Victorian feel to it.

MY VERDICT: A beautifully written, emotionally satisfying, character driven love story. Highly recommended.



**I received a complimentary copy from the author for the purposes of an honest review. ** 








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Scandal at the Midsummer Ball

Genre: Historical Romance (Regency)

Cover Blurb:

One Christmas house party leads to two Regency love affairs! 

A Governess for Christmas by Marguerite Kaye 

At the glittering Brockmore house party, former army major Drummond MacIntosh meets governess in disgrace Joanna Forsythe, who’s desperate to clear her name. Both are eager to put their pasts behind them, but their scandalous affair will make for a very different future…

Dancing with the Duke’s Heir by Bronwyn Scott 

As heir to a dukedom, Vale Penrith does not want a wife, and certainly not one like Lady Viola Hawthorne. So why does London’s Shocking Beauty tempt him beyond reason? Dare seduction the best way to bring her to surrender?


Last year, I read and very much enjoyed Scandal at the Midsummer Ball, the previous collaboration between Marguerite Kaye and Bronwyn Scott. Once again, the country estate of the Duke and Duchess of Brockmore, forms the backdrop for both stories. The couple is holding their prestigious Christmas house party culminating in the Christmas Ball on Twelfth Night. Unlike their Midsummer House Party, this is not a matchmaking event, but it seems that cupid’s arrow can strike the most improbable couples at any time.


Three and a half years ago, army major, Drummond MacIntosh, was cashiered from the army for refusing to follow a direct order. Shunned by society, he has been forced to lead a purposeless existence until the Duke of Wellington approaches Drummond to say that he wants him to serve as his aide. This would give Drummond the opportunity to forge a new life, but first he must attend the Brockmore Christmas festivities and impress his hosts enough to earn their patronage. It is well-known that the Duke and Duchess have great influence over society… where the Duke and Duchess of Brockmore lead, all of society follows. Their support would be instrumental in repairing his damaged reputation and smoothing his way back into society.

Joanna Forsythe was employed as governess to the eldest daughter of Lady Christina Robertson until wrongly accused of theft and dismissed on the spot.  Lady Robertson did not inform the authorities in view of Joanna’s previously unsullied reputation. However, with her reputation now in tatters, no respectable school will employ her, and she is forced to take a post which provides only bed and board and where she is treated as little more than a drudge when she isn’t teaching. Knowing that the Duchess of Brockmore is a close friend of Lady Christina’s, when Joanna receives an invitation to the house party, she believes that the real thief will confess, thereby establishing Joanna’s innocence and restoring her reputation. Instead, Lady Christina tries to buy her off with financial recompense for the loss of her reputation and the offer of a new position.

Often it is difficult for an author to create characters with any real depth and a believable romance within the constraints of a novella, but I feel that Ms. Kaye does this admirably.

When Drummond and Joanna first meet, they talk and share confidences, discovering   that they are each looking for a fresh start, and I felt a genuine affinity between them which made the budding romance believable. Drummond is a man of principle and I admire him for choosing to follow his conscience, knowing full the consequences of his actions. I love Joanna’s selflessness in her determination that Drummond should not jeopardise his opportunities for her sake.

They share some passionate interludes but there seems no future for them because neither can afford to have any further scandal attached to their name. Ms. Kaye conveys their longing for something they cannot have so well, and I really wanted them to find a way to be together. It takes some soul-searching before a Happy Ever After is within their grasp, although they are fully aware that their life won’t be all plain sailing, but I felt as Drummond does…

“I can’t help but feeling absolutely sure that together we can do anything we want.”





Following the death of his father and older brother four years ago, Vale Penrith, the Duke of Brockmore’s nephew, had become the duke’s sole heir. It is a position he didn’t want and one he feels ill-fitted for.

He was a politician by conscience when the occasion demanded it, an anthropologist by choice. He was not a duke.

He has shut himself off from the world since losing his father and brother, preferring to spend his days in his library – reading, researching or writing. However, Vale has no choice but to accompany his mother to his uncle and aunt’s annual Christmas house party and knowing his uncle’s notorious reputation for matchmaking at such events, he is sure that the duke has already selected a suitable lady for him. Vale certainly has no immediate plans to marry but, when he does, it will be to a lady of his own choice.

Independently minded Lady Viola Hawthorne has no desire to marry, a state she considers nothing more than enslavement to the whims of a man. She dreams of travelling the Continent and studying music in Vienna, where she believes a woman can enjoy greater freedoms. To achieve her dreams, she has indulged in the most scandalous behaviour, earning her the title ‘London’s Shocking Beauty’, thereby discouraging ny would-be suitors. However, Viola’s parents refuse to give up hope of their daughter finding a husband, and their hopes are raised when an invitation to attend the Duke and Duchess of Brockmore’s Christmas house party arrives. Having already had three seasons with no husband in sight, Viola knows that, if she can sustain her outrageous behaviour for one more season, she will be officially ‘on the shelf’ and able to pursue her dreams.

This was the last year she had to maintain her reputation. After this Season, she’d be a candidate for the shelf—out three Seasons and no husband in sight. She could get on with her dreams.

I like Vale and could sympathise with his feelings of loss, sorrow and guilt following the tragic death of his father and brother. He had been thrown into a role that he neither expected nor wanted and felt inadequate to fulfil, and he has dealt with it by closing himself off from everyone. There is a particularly poignant scene where his uncle hugs him which conveys Vale’s emotional vulnerability.

“My boy, it is good to see you,” he said simply before wrapping him in his arms. For just a minute, he wasn’t the heir, but simply a beloved nephew and this man was not the mighty Brockmore, a powerful duke, but his uncle, his father’s older brother, a living link to the man he’d lost. And Vale savoured it.

Generally, I love unconventional, outspoken heroines, but I just didn’t like Viola.  While I understood her desire to be independent and pursue her dreams, her outrageous behaviour – the casual sex, drinking, smoking and playing billiards alone in the company of several men – seemed totally unrealistic. She behaved more like a member of the demimonde than a duke’s daughter!

I know opposites attract but the idea of Vale falling for someone like Viola stretched credulity a little too far for me. It is only towards the end of the story that Viola shows some redeeming qualities, but this felt too contrived and didn’t really convince me that these two were meant for each other.



General Thoughts

Once again, there is a lovely Epilogue, courtesy of the Marcus and Alicia, the Duke and Duchess of Brockmore and I hope, at some point, they will have their own story. I would love to know how they met and fell in love, especially as Marcus tells Vale he had proposed to Alicia twice and she had refused him each time. I also like how Marcus really cares for his nephew and only wants to help him rediscover a zest for living again.

MY VERDICT: Marguerite Kaye always delivers a well-written and emotionally satisfying love story. Although I found Bronwyn Scott’s story disappointing, I very much enjoyed the one in SCANDAL AT THE MIDSUMMER and will certainly be reading more of her books.


**I received a complimentary copy of this book from the authors in return for an honest review








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