(Roxton Family Saga, #5)
Genre: Historical Romance (Georgian, 1786)
Cover Blurb:
Roxton Family Saga Book 5: Henri-Antoine and Lisa’s Happily Ever After
London, 1786. Lord Henri-Antoine has returned from the Grand Tour to a life of privilege and excess. A vast inheritance allows him every indulgence, free from responsibility. Yet, Henri-Antoine maintains a well-ordered existence, going to great lengths to conceal an affliction few understand, and many fear.
Miss Lisa Crisp is a penniless orphan who relies on the charity of relatives to keep her from the poorhouse. Intelligent and unflappable, Lisa will not allow poverty to define her. She leads a useful life working among the sick poor.
Under startling circumstances, Henri-Antoine and Lisa meet. There is instant attraction. When they find themselves attending the same wedding in the country, Henri-Antoine offers Lisa a scandalous proposition, one she should refuse but yearns to accept. Following her heart could ruin them both.
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So, we reach the end of Lucinda Brant’s sumptuous Georgian, Roxton family saga. Or do we? I can’t believe Ms. Brant will find it easy to let go of the very real and loveable Roxton family she has created and I’m sure I speak for other fans when I say I hope she doesn’t – at least not yet. This is a family with secrets still to reveal and we need to know them. For instance, what events in Renard Hesham’s early life shaped him into the man we first meet in Noble Satyr? Almost forty years of his life are still unaccounted for and, as usual, Ms. Brant has dropped subtle hints that there is more to him than she has yet told us. However, for the purposes of this review, with Satyr’s Son, the series has come full circle from where it began as Ms. Brant tells Lord Henri-Antoine (Harry) Hesham’s story, the younger of Renard and Antonia’s two sons.
On first acquaintance, Lord Henri-Antoine Hesham is shown in a bad light – blatantly and unapologetically bedding his friend’s mistress and ringleader of a group of badly behaving, aristocratic friends. However, a little later, it becomes clear that, in reality, he is actually a kind and generous young man whose outward demeanour hides a deep-seated vulnerability. Harry has suffered from debilitating falling sickness (epilepsy) since birth and, as a result, has deliberately adopted an aloofness, preferring to hold himself apart from most people, even his family up to a point. This demeanour is a coping mechanism, albeit one that does him no favours with his peers. But, early in the story, amidst Harry’s excesses, the author gives us a glimpse into his true character – for why would he go to the trouble of attending an auction to purchase shells for his beloved little sister, Elsie, if he were as uncaring as he prefers people to believe him?
It is during one of his fits that he ‘meets’ the absolute antithesis of himself. Lisa Crisp is a poor, hardworking girl with no connections to the nobility, other than as a niece by marriage to Lord Henri-Antoine’s mother’s ex lady’s maid. Lisa lives on the charity of the family and has done so since she was orphaned as a child. She just happens to be in the right place at the right time when Harry literally falls at her feet during an epileptic seizure. As an assistant in her uncle’s dispensary for the sick poor, Lisa is used to coping with all kinds of ailments, including falling sickness, and deals with the situation in her normal practical, no nonsense manner – calmly and gently soothing Harry, wiping his face and stroking his hair during the worst of his struggles. Harry only has the haziest of recollections after he recovers but does recall seeing the image of a Botticelli Angel just before he blacks out. This image is confirmed by his best friend Jack (Sir John) Cavendish, who was also there, and leaves Harry intrigued and determined to find and thank his ‘Angel’. His minders, or ‘lads’ as they are known, protect him from prying eyes when he is at his most vulnerable and it is virtually unknown for anyone to witness an attack let alone actually witness one and not be repulsed by it. I was, by this time, loving the direction this story was taking, because I don’t ever remember coming across such a scenario before and one where the author, who has quite obviously done her homework, deals with the implications of it in such a sensitive and caring manner.
It doesn’t take Harry long to track Lisa down to her uncle’s dispensary and it just so happens that he knows of Dr Warner, an eminent physician, anatomist and the husband of Lisa’s cousin. The doctor has radical ideas well ahead of his time with regard to sickness/illness and the treatment of it, but also believes that to further the advancement of medical science, the future training of bright young men to become physicians is vital. As most of these young men do not have wealth or connections, Dr Warner has applied for the funds to enable their training which he hopes will come from rich sponsors. Harry is one such sponsor – a philanthropist with a genuine interest in furthering medical science for both rich and poor, notwithstanding his own apparently incurable disease. This interest and generosity is yet another dimension to Harry’s character that his critics are unaware of and it has long been his practice to anonymously invest large amounts of his own money through the Fournier Foundation (Harry’s brain child) to aid such projects that Dr Warner needs support and funding for.
It became clear to his parents early in Harry’s life that his affliction could not be ignored and was unlikely to go away and must therefore be dealt with. His father, Renard Hesham, fifth Duke of Roxton, a very forward-thinking man, sets the wheels in motion for Harry to be able to do something worthwhile with his life. In his young days, Roxton was considered an unredeemable rake but marriage to Antonia had changed his habits for ever. Despite his rakish past, he was a highly intelligent man and having finally found the love of his life in middle age, he had settled down to become a loving husband and father. His wife and children became his life and he spent much of the first twelve years of his younger son’s life caring for and observing him during and in the aftermath of his traumatic seizures. Renard came to see and understand the similar character traits that he and Harry shared and took the momentous step of bequeathing his beloved son a fortune. The size of this fortune far exceeded the amount considered to be the norm for a younger son, but Roxton obviously trusted his son would use it wisely – after all, was he not his son? This fortune, along with his extraordinary good looks, further sets Harry apart from his peers; it enables him to live independently and cope with his illness without detection, but it also has the unfortunate effect of causing envy among his peers, which only served to accentuate his outwardly arrogant aloofness.
Since the age of nine, Sir John Cavendish has been Harry’s one true friend and the only person outside his family who truly knows Lord Henri-Antoine Hesham and appreciates and accepts the frustrations which cause his friend to lash out at the people he cares for, himself included. Jack is to marry Teddy, his first cousin, and the daughter of Proud Mary (book 4 in the Roxton Family Saga). Jack worries about leaving his friend, as he must on his marriage to his childhood sweetheart and wishes fervently for him to ‘fall off a cliff in love’ as Jack is convinced will happen to his friend one day. Much of the ongoing story takes place at Treat, ancestral home of the Roxton family, where the family wedding is to take place. Teddy is as delightful a young woman as she was a child (I adored her characterisation in Proud Mary). She has no airs and graces and is excited that her best friend from her school days, Lisa Crisp, has been found – at Teddy’s request – by her cousin, Antonia, Duchess of Kinross and dowager Duchess of Roxton and a wedding invitation issued.
Despite her lowly birth, Lisa soon has most people at Treat eating out of her hand, with her natural sweetness of nature and unaffected beauty. Harry too is smitten and has been since their first meeting, and I loved how Ms. Brant develops the love story between them, plausibly knocking down the social barriers in the process. From their first conscious meeting (after Harry tracks her down), it is obvious that they are meant to be together but how to bring these two polar opposites together. He is his own worst enemy because, in the way of someone like Harry who is not as sure of himself as he appears but needs to hide his lack of self-confidence, he constantly strikes out at the people he loves the most, albeit usually with the finest of motives.
Harry wants Lisa very much but believes he is not worthy of her love and must save her from wanting someone like him. Harry is a complex character who hasn’t gone down well with some readers/reviewers. Personally, I loved him and can see why someone such as Lisa would have been captivated by him. Imagine living with an affliction such as his in the time this story is set. He is saved from an asylum only because of his wealth, position and powerful family and must live his life with the constant fear of humiliation and scandal, not only for himself but for his family as well, should his affliction become public. Despite his looks and wealth, how could he not be vulnerable and unsure of his self? And yet, he takes an active interest and anonymously donates to causes which aid the sick poor. No, Harry is a rather gorgeous, if flawed young man, and Lisa’s evident love for him, her complete disregard for his illness and her refusal to be pushed away for her own good is heart-warming. Her pure and unselfish love becomes even more evident towards the end of the story in a couple of beautiful and moving scenes in which Antonia, Julian and Harry are involved. One scene in particular is reminiscent of one in which Deb was involved in Midnight Marriage. In fact, there are a couple of instances where Ms. Brant gives a *nod* to scenes in which Harry behaves in much the same way as his father did. However, I fear that only true lovers and followers of Ms. Brant’s exquisite work will realise the author’s intentions.
As usual, Ms. Brant’s attention to detail and in-depth research into the life and times of the Georgian period is second to none and I always come away from reading one of her books more knowledgeable. In Satyr’s Son, my ahhh moment came when the author tells us of the origins of London’s world famous Natural History Museum. I shall return on my next visit with fresh eyes to look for evidence of the family who once lived there.
How many ways can I say that Alex Wyndham is my favourite narrator? That his name on an audio book will always hook me? It becomes more and more difficult after the many reviews I’ve written for books he has narrated, or performed, would be a fairer adjective. As usual, he has outdone himself and has even ‘found’ a new voice that exactly matches the description of the character I heard in my head when I read the print version of Satyr’s Son. Lord Henri-Antoine is said to have a voice ‘like hot chocolate’ and I couldn’t agree more as Alex Wyndham rises to the challenge of proving it. Then, I’ve always thought that this man has a voice I could easily drown in – like melted chocolate or maybe even black velvet. He is multi-talented with oodles of artistic jeux de vie and it is very easy to forget that he is handling a multi character cast of male and female characters. But before I stop waxing lyrical, I must mention one of my favourite characters of this series – Jonathon, Duke of Kinross. Thanks to Ms. Brant’s wonderful characterisation and Alex Wyndham’s portrayal of him, I DO forget that he’s actually just a character from the author’s clever and fertile imagination. He is 6’4″of gorgeousness, issuing words of wisdom in the special voice this performer keeps just for him, and which somehow encompasses his ebullient bigness and inherent kindness and always gives me goose bumps!
MY VERDICT: A wonderful end to a wonderful series? Hopefully, not the end. From NOBLE SATYR TO SATYR’S SON…which is my favourite of the series? I can’t say because whichever book I’m reading or listening to at the time tends to be my favourite. However, SATYR’S SON is definitely a Stellar 5 stars for me.
REVIEW RATING: STELLAR 5 STARS
NARRATION REVIEW RATING: STELLAR 5 STARS
SENSUALITY RATING: SUBTLE
Roxton Family Saga (click on the book covers for more details):